Bicep

BIOGRAPHY

As producers, DJs, label founders and avid record collectors, the London-based / Belfast-born duo Matt McBriar and Andy Ferguson (aka Bicep) have become two of the most trusted curators of electronic music in the past decade. Signed to Ninja Tune in 2017, last year saw them make their most concise, articulate and daring musical statement yet, with the release of their debut self-titled album.Fittingly, the record encapsulated all that the duo have come to pioneer ov...

As producers, DJs, label founders and avid record collectors, the London-based / Belfast-born duo Matt McBriar and Andy Ferguson (aka Bicep) have become two of the most trusted curators of electronic music in the past decade. Signed to Ninja Tune in 2017, last year saw them make their most concise, articulate and daring musical statement yet, with the release of their debut self-titled album.

Fittingly, the record encapsulated all that the duo have come to pioneer over their ten year career: the distillation of myriad influences and inspirations, a richly textured trip that channels the freeform experimentalism of early 90s IDM and renovates the house music blueprint.

Furthermore, it succeeded in balancing club music with home listening, just as Matt and Andy have succeeded in breaking into the mainstream whilst remaining true to their underground roots. It went in at #20 in the UK album charts and was lauded by the likes of Pitchfork, Resident Advisor, the Guardian and Mixmag, who picked it as album of the year and put them on their front cover. A series of well-received singles, including ‘Glue’—a track and video that would become certified touchpoints in electronic music that year—‘Rain’ and ‘Vale’ reinforced their ascendance and a remix of ‘Opal’ by iconic producer and DJ Four Tet made for one of the year’s big dance 12”s.

Born and raised in Belfast, Matt and Andy were steadfast childhood friends. Releasing on Ninja Tune is a natural fit for the pair, whose musical upbringings were decidedly eclectic. “I was into Slayer”, laughs Matt. “My parents listened to Tangerine Dream and Van Morrison and weird world music”. Andy’s side leaned more towards rock: “My dad was in bands. He was friends with Rory Gallagher and they lived in the same area” he says. “Through my early years I started listening to local stuff like Rudi, Undertones and Stiff Little Fingers. I then moved onto the likes of Joy Division and Depeche Mode through listening to John Peel”.

Despite this keen musicality at home, they discovered in their teenage years how resistant their city was to the sounds that they were falling for. “When we were younger, ‘dance music’ was very much a dirty word in Belfast”, says Matt. “Even following a direction in art was frowned upon”. Early solace was found in radio rips of Tim Sweeney’s early Beats In Space shows - “Our friend’s brother in New York used to record them to CD and bring them back and we’d all sit around and listen” - and pilgrimages to a club called Shine, where The Chemical Brothers, Dave Clarke and Underground Resistance would play. “We were sneaking in with tennis balls in our shoes to give us a couple more inches”, Matt recalls. “We were cut off from the UK, and the UK is cut off from Europe. People wore a certain type of jeans and had a certain haircut. Shine was one of the few things that felt different. Punks, goths, chavs were all there. It was such a mad mix”. This radically open- minded fusion of style and sound would inform the pair’s relentless digging, DJ sets and productions for years to come.

Parting ways after school - Andy went to study chemical engineering in Manchester, Matt to study design in Newcastle and later take up work in Dubai - but neither found a club as consistent as Shine on their travels. Turning to each other to fill the void, they shrewdly selected tracks for DJ sets, refined their art and design skills and sharpened their production chops over time. Initially DJing individually as Feel My Bicep in Europe and Asia, they reunited in London and “have been making music every day since”. The dedication has paid off, learning intricately layered self-editing techniques on analogue equipment to achieve a uniquely organic sound with a microscopic attention to detail. The album format is the first opportunity they’ve had to showcase their human sonic signature in full.

Reflecting on their early years, Matt says: “There was a real competition amongst our friends to find the rarest bomb in music. It was a never- ending hunt that led to the blog”. Their geographic isolation and friendly one-upmanship proved itself a strong platform for their Feel My Bicep blog, the go-to site for the best lost and forgotten 80s synth, house, techno, Italo disco, jungle, funk and more attracting over 100,000 visitors per month. Its popularity speaks volumes about the duo’s ability to traverse time and genre indiscriminately, expressing their passion and broad knowledge of music while connecting a worldwide community in the process.

Having built a sterling rep as curators, it was only a matter of time before the duo stepped up as producers. Cutting their production teeth with releases on Throne Of Blood, Traveller Records, Mystery Meat and Love Fever, Will Saul then snapped up the duo for a string of releases on his Aus Music imprint, including the now certified classic “Just EP” bearing the dazzling and ubiquitous title track that became the undisputed club track of 2015 and earned Bicep both Mixmag and DJ Mag’s ‘Track of the Year’. The duo have also collaborated with another groundbreaking UK duo - Simian Mobile Disco - and remixed for the likes of Disclosure, Blood Orange and 808 State.

As label heads, their Feel My Bicep imprint has served as an outlet for some of their most warmly received original productions and remixes (and further releases from hotly-tipped peers too). Beyond its musical output, the logo created by designer Matt - a reference to their love for Italo disco - has become one of the most iconic logos in underground music and is synonymous with the duo’s legendary annual “Italo Disco” parties.

Touring the world over, curating and selling out a long list of Feel My Bicep parties (including Manchester’s Warehouse Project, NYC’s Knockdown Center and a 12- week residency at London’s XOYO). After debuting a new live-show in 2017, the subsequent live-tour took them around the world, across revered festival stages such as Glastonbury, Coachella, Sonar, Pitchfork Festival and Primavera, as well as sold-out headline shows across the UK, Europe, North America and beyond. Culminating in a triumphant three-night sold-out run of shows at Printworks in London, the finale of which was recorded by Resident Advisor for their ‘RA Live’ series, with over 1 million views to date. They also sold out a headline show at London’s legendary Roundhouse four months in advance, praised by The Guardian for their “melodies that ping-pong around before resolving with gigantic satisfaction”.

With the live music & touring industry in a state of flux, Bicep are currently scheduled to perform at a run of festivals, including headlining London’s Field Day—where they will play the festival’s huge 10k capacity Drumsheds venue—Primavera, Parklife and more, and their Brixton shows which saw all 10,000 tickets going in a matter of minutes—will now take place later in the year along with additional headline dates across the UK, EU and US. The shows will present a fresh chapter for Bicep and are set to contain a wealth of new, previously unheard material as well as immersive new visuals from studio Degrau (previously The Royal Studio) and Zak Norman of Black Box Echo, who were the creative teams behind their previous album artwork and live show production. Please see below for up to date rescheduled tour dates.

Bicep recently announced their new single ‘Atlas’—their first new music since 2018’s ‘Rain’ EP— released digitally on March 24th and on 12” from April 3rd on Ninja Tune. 

Bicep are also ambassadors for Youth Music, a charity that works to change the lives of young people through music and music production—for more information please see https://www.youthmusic.org.uk/what-we-do


Forthcoming Events

June 2020
July 2020
August 2020
September 2020
December 2020
July 2021

Bicep

Popular Tracks

  1. Opal (Four Tet Remix) (Four Tet Remix)
  2. Glue
  3. Drift
  4. Aura
  5. Rain
  6. Play All (5)

Latest News

BIOGRAPHY

As producers, DJs, label founders and avid record collectors, the London-based / Belfast-born duo Matt McBriar and Andy Ferguson (aka Bicep) have become two of the most trusted curators of electronic music in the past decade. Signed to Ninja Tune in 2017, last year saw them make their most concise, articulate and daring musical statement yet, with the release of their debut self-titled album.Fittingly, the record encapsulated all that the duo have come to pioneer over their ten year ca...

As producers, DJs, label founders and avid record collectors, the London-based / Belfast-born duo Matt McBriar and Andy Ferguson (aka Bicep) have become two of the most trusted curators of electronic music in the past decade. Signed to Ninja Tune in 2017, last year saw them make their most concise, articulate and daring musical statement yet, with the release of their debut self-titled album.

Fittingly, the record encapsulated all that the duo have come to pioneer over their ten year career: the distillation of myriad influences and inspirations, a richly textured trip that channels the freeform experimentalism of early 90s IDM and renovates the house music blueprint.

Furthermore, it succeeded in balancing club music with home listening, just as Matt and Andy have succeeded in breaking into the mainstream whilst remaining true to their underground roots. It went in at #20 in the UK album charts and was lauded by the likes of Pitchfork, Resident Advisor, the Guardian and Mixmag, who picked it as album of the year and put them on their front cover. A series of well-received singles, including ‘Glue’—a track and video that would become certified touchpoints in electronic music that year—‘Rain’ and ‘Vale’ reinforced their ascendance and a remix of ‘Opal’ by iconic producer and DJ Four Tet made for one of the year’s big dance 12”s.

Born and raised in Belfast, Matt and Andy were steadfast childhood friends. Releasing on Ninja Tune is a natural fit for the pair, whose musical upbringings were decidedly eclectic. “I was into Slayer”, laughs Matt. “My parents listened to Tangerine Dream and Van Morrison and weird world music”. Andy’s side leaned more towards rock: “My dad was in bands. He was friends with Rory Gallagher and they lived in the same area” he says. “Through my early years I started listening to local stuff like Rudi, Undertones and Stiff Little Fingers. I then moved onto the likes of Joy Division and Depeche Mode through listening to John Peel”.

Despite this keen musicality at home, they discovered in their teenage years how resistant their city was to the sounds that they were falling for. “When we were younger, ‘dance music’ was very much a dirty word in Belfast”, says Matt. “Even following a direction in art was frowned upon”. Early solace was found in radio rips of Tim Sweeney’s early Beats In Space shows - “Our friend’s brother in New York used to record them to CD and bring them back and we’d all sit around and listen” - and pilgrimages to a club called Shine, where The Chemical Brothers, Dave Clarke and Underground Resistance would play. “We were sneaking in with tennis balls in our shoes to give us a couple more inches”, Matt recalls. “We were cut off from the UK, and the UK is cut off from Europe. People wore a certain type of jeans and had a certain haircut. Shine was one of the few things that felt different. Punks, goths, chavs were all there. It was such a mad mix”. This radically open- minded fusion of style and sound would inform the pair’s relentless digging, DJ sets and productions for years to come.

Parting ways after school - Andy went to study chemical engineering in Manchester, Matt to study design in Newcastle and later take up work in Dubai - but neither found a club as consistent as Shine on their travels. Turning to each other to fill the void, they shrewdly selected tracks for DJ sets, refined their art and design skills and sharpened their production chops over time. Initially DJing individually as Feel My Bicep in Europe and Asia, they reunited in London and “have been making music every day since”. The dedication has paid off, learning intricately layered self-editing techniques on analogue equipment to achieve a uniquely organic sound with a microscopic attention to detail. The album format is the first opportunity they’ve had to showcase their human sonic signature in full.

Reflecting on their early years, Matt says: “There was a real competition amongst our friends to find the rarest bomb in music. It was a never- ending hunt that led to the blog”. Their geographic isolation and friendly one-upmanship proved itself a strong platform for their Feel My Bicep blog, the go-to site for the best lost and forgotten 80s synth, house, techno, Italo disco, jungle, funk and more attracting over 100,000 visitors per month. Its popularity speaks volumes about the duo’s ability to traverse time and genre indiscriminately, expressing their passion and broad knowledge of music while connecting a worldwide community in the process.

Having built a sterling rep as curators, it was only a matter of time before the duo stepped up as producers. Cutting their production teeth with releases on Throne Of Blood, Traveller Records, Mystery Meat and Love Fever, Will Saul then snapped up the duo for a string of releases on his Aus Music imprint, including the now certified classic “Just EP” bearing the dazzling and ubiquitous title track that became the undisputed club track of 2015 and earned Bicep both Mixmag and DJ Mag’s ‘Track of the Year’. The duo have also collaborated with another groundbreaking UK duo - Simian Mobile Disco - and remixed for the likes of Disclosure, Blood Orange and 808 State.

As label heads, their Feel My Bicep imprint has served as an outlet for some of their most warmly received original productions and remixes (and further releases from hotly-tipped peers too). Beyond its musical output, the logo created by designer Matt - a reference to their love for Italo disco - has become one of the most iconic logos in underground music and is synonymous with the duo’s legendary annual “Italo Disco” parties.

Touring the world over, curating and selling out a long list of Feel My Bicep parties (including Manchester’s Warehouse Project, NYC’s Knockdown Center and a 12- week residency at London’s XOYO). After debuting a new live-show in 2017, the subsequent live-tour took them around the world, across revered festival stages such as Glastonbury, Coachella, Sonar, Pitchfork Festival and Primavera, as well as sold-out headline shows across the UK, Europe, North America and beyond. Culminating in a triumphant three-night sold-out run of shows at Printworks in London, the finale of which was recorded by Resident Advisor for their ‘RA Live’ series, with over 1 million views to date. They also sold out a headline show at London’s legendary Roundhouse four months in advance, praised by The Guardian for their “melodies that ping-pong around before resolving with gigantic satisfaction”.

With the live music & touring industry in a state of flux, Bicep are currently scheduled to perform at a run of festivals, including headlining London’s Field Day—where they will play the festival’s huge 10k capacity Drumsheds venue—Primavera, Parklife and more, and their Brixton shows which saw all 10,000 tickets going in a matter of minutes—will now take place later in the year along with additional headline dates across the UK, EU and US. The shows will present a fresh chapter for Bicep and are set to contain a wealth of new, previously unheard material as well as immersive new visuals from studio Degrau (previously The Royal Studio) and Zak Norman of Black Box Echo, who were the creative teams behind their previous album artwork and live show production. Please see below for up to date rescheduled tour dates.

Bicep recently announced their new single ‘Atlas’—their first new music since 2018’s ‘Rain’ EP— released digitally on March 24th and on 12” from April 3rd on Ninja Tune. 

Bicep are also ambassadors for Youth Music, a charity that works to change the lives of young people through music and music production—for more information please see https://www.youthmusic.org.uk/what-we-do

Forthcoming Events

June 2020
July 2020
August 2020
September 2020
December 2020
July 2021